![]() ![]() Fans of this breed of psychedelic pop were insatiable, and there was a certain thrill to the fact that it was hard to track down, since it was either issued in Japan, buried as album tracks on reissues, or never made it to CD at all. Nevertheless, most hardcore record geeks have a fondness for this stuff, since it's not only melodic and well produced, but it's terribly interesting to hear how underground ideas were borrowed and assimilated into mainstream music often, it's as strange as it was in the underground, if not stranger. This was close to anathema for the hardcore garage rock fiends because this was not rock & roll, it was pop music whose commercial aspirations failed. Bands like the Millennium, the Association, and Yellow Balloon became hip currency, as did producers like Curt Boettcher and songwriters like Paul Williams. Around this time, collectors - including many third-generation music fanatics raised in the era of CD reissues rather than record fairs - began to favor the soft sunshine pop of the late '60s, when square vocal groups started to get hip and record trippy music.
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